Our archival collection includes two bound volumes of the Sunday Pictorial supplement (1898, 1899 and 1901) to the popular newspaper The New York World. The paper was published from 1860 to 1931 and was a leading voice of the Democratic Party of which Henry L. Sheldon was a member. From 1883 to 1911 it was published under the guidance of Joseph Pulitzer, who pioneered yellow journalism, the content of which was characterized by sensationalism, scandal, sex, sport, and political debacle.
The New York World was also one of the first American newspapers to publish comic strips beginning in the late 1880s. The images were executed by skillful artists and often printed in full color, presenting not only eye-catching satire and humor for the amusement of the masses but also a feast for the eye. Pioneering cartoonists working for the newspaper included R. F. Outcault, one of the first to use multi-panel narrative strips to convey his stories. Outcault was known for the series “The Yellow Kid” and “Kelly Kids” that explored life on the streets and in tenements frequently scapegoating the Irish working class. Other notable artists who drew for the Supplement included Walter McDougall, Sid B. Griffin, and Carl T. Anderson. The subjects of these cartoons were in tune with the spirit of The New York World and the era they depicted. European and Asian immigrants and people of different races were broadly caricatured. African Americans were drawn as minstrel characters, Filipinos sketched as “savages” during this time of the Spanish-American War (1898), and Native Americans were repeatedly ridiculed as uncultivated primitive beings. Other images focused on political satire, New York society during the Gilded Age, fashion, beauty and new technological advances, such as the automobile.
From the armchair of remote Middlebury, VT, Henry L. Sheldon collected broadly with an eye on world events and the national stage. We are lucky to have these early cartoons in our collection, as they are key historical documents of American popular culture.