Exhibits

Special Exhibitions

  • Finding Hope Within: Healing & Transformation Through the Making of Art Within the Carceral System

    May 21 - September 30

    In her recent book Marking Time: Art in the Age of Mass Incarceration, Nicole Fleetwood observes, “Prison art is part of the long history of captive people envisioning freedom—creating art, imagining worlds, and finding ways to resist and survive.” Our summer exhibition Finding Hope Within features works of art that have emerged through the carceral system in Vermont alongside historical artifacts from the collection of the Henry Sheldon Museum.

    This exhibition posits art-making as a transformative, healing, and cathartic practice that can transform one’s relationship to community, to the environment, and to the self. The act of creation creates a spark of hope for the future. 

  • Ornament Identity: Navigating Society through Expression

    May 21 - October 31

    Across centuries and cultures, material objects are profound expressions of identity, memory, and belief. Adornment, whether through intricate craftsmanship, symbolic decoration, or functional design, elevates objects beyond utilitarian purposes and transforms them into reflections of personal stories and societal values. 

    Organized by students of Professor Erin Sassin’s course at Middlebury College, this exhibition is the result of meticulous research and thoughtful curation. Students assembled a diverse collection of objects ranging from 1616 to 2006 to explore how adornment both shapes and reflects the human experience. The exhibition considers the ways in which objects both enduring and fleeting help capture personal and cultural histories

  • Stitching Memories: Daughters, Samplers, and Family Records

    May 21 - January 3

    In cooperation with the VT State 250th Commemoration of the start of the American Revolution, the VT Sampler Initiative is producing a statewide driving tour, to view schoolgirl needlework samplers, from the post-Revolutionary War period.

    These pieces of 19th century needlework were an essential part of girls’ education during the Revolutionary and federal period of our history. This is how girls learned to read, write, and spell their own names. Families often framed them and hung them on a parlor wall, to announce to visitors that they valued education enough to pay for their daughters to become educated citizens – and marriageable young women, to any aspiring suitors.

Permanent Exhibits:

The Sheldon Museum has a permanent collection of 19th and 20th century Vermont furniture, paintings, and household objects. They are exhibited in the elegant Federal house built in 1829 by marble merchants Eben Judd and Lebbeus Harris. Changing special exhibits are on view in the Cerf Gallery and the Adèle Eells Pierce Gallery. These two galleries showcase temporary exhibits and also serve as a venue for gallery talks, school programs and special events.

Adèle Eells Pierce Gallery 

The Adèle Eells Pierce Gallery was dedicated in 2015 to recognize Honorary Sheldon Trustee Adèle Pierce. Adèle has been active at the Sheldon Museum since 1983, as its first shop manager, and later trustee and volunteer. She was chair of the committee for the Sheldon’s first Pops Concert in 1992 and continues to assist with that important fundraising event today. The Pierce Gallery features temporary history and art exhibits throughout the year.

Walter Cerf Gallery

Built in 1991 through the generosity of art dealer and philanthropist Walter Cerf, the Cerf Gallery has become a hub of public activity at the Museum. A varied exhibition schedule features history and art exhibits, including contemporary Vermont artists and craftspeople. The Gallery also serves as a public venue for gallery talks, school programs and special events.